作者簡介 主編　李承育 　　任教於國立台北教育大學、輔仁大學音樂系，並擔任「台北爵士大樂團」指揮。專精爵士音樂基礎理論、爵士音樂編曲、爵士大樂團指揮等。 　　台灣大學土木工程系畢業後赴美深造。2001年獲波林格林州立大學（Bowling Green State University）演奏文憑；再入北德州大學（University of North Texas）取得碩士學位。赴美期間，爵士樂演奏師事James Miglia、Mike Steniel、James Riggs等；爵士樂研究師事John Murphy。 　　領導奧尼斯爵士四重奏，2005年榮獲「克萊斯勒與ICRT爵士樂團大競技」首獎，2006年獲「大地知音音樂創意大獎賽」之創意獎。論文《採譜分析：動機式即興在爵士音樂演奏上的應用》於輔仁大學2008年管樂學術研討會發表，《樂團指揮在爵士大樂團中的角色扮演》於2010年指揮國際學術研討會發表，《爵士樂中的聖樂：Duke Ellington的三場聖樂音樂會》於2012年爵士音樂國際學術研討會發表。 CHENG-YU LEE editor 　　Cheng-yu Lee teaches saxophone and jazz history/appreciation/theory/performance in National Taipei University of Education and Fu Jen Catholic University. 　　Lee earned his Bachelor of Engineering degree from Department of Civil Engineering, National Taiwan University. He obtained his Master of Music degree in saxophone performance from University of North Texas in 2004 after receiving music certificate from Bowling Green State University in 2001. During the years in U.S., he studied jazz with James Miglia, Mike Steniel, James Riggs and John Murphy. 　　Lee leads Onyx Jazz Quartet and won the 1st Prize in "Chrysler & ICRT Jazz Competition" in 2005, and Creative Award in "Land Music Awards" in 2006. Lee is currently the director of Taipei Jazz Orchestra.