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190728s2018 enkag b 001 0 eng d |
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|a036714865X|q(pbk.)
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|a9780367148652|q(pbk.) :|cNT$1595
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|a(OCoLC)1110488748
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|aTMUE|b64|cA0336814|pB|d780.07|eR869|y2018|tDDC|r1595
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|aThe Routledge companion to music and visual culture /|cedited by Tim Shephard and Anne Leonard.
|
260 |
|
|aLondon ;|aNew York, NY :|bRoutledge,|c2018.
|
300 |
|
|axviii, 391 p., [16] p. of plates :|bill. (some col.), music ;|c25 cm.
|
490 |
0
|
|aRoutledge companions
|
504 |
|
|aIncludes bibliographical references and index.
|
505 |
0
|
|aSeeing music -- Synaesthesia -- Art history for musicologists -- Msicology for art historians -- Iconography -- Cultural history -- Performance studies -- Studying music and screen media -- Visual evidence in ethnomusicology -- Representing music making -- Composer portrait prints -- Music, symbolism, and allegory -- Music as attribute: idea, image, sound -- Looking and listening: music and sound as visual trope in Ukiyo-e -- Painting and music -- The "representation" of paintings in music -- Gesture and imagery in music performance: perspectives from North Indian classical music -- Notations: context and structure in Japanese traditional music notation -- Manuscripts -- Printed music: music printing as art -- Album art and posters: the psychedelic interplay of rock art and art rock -- Visual metaphors in music analysis and criticism -- Visual metaphors in music treatises: metaphor as experience in Vincenzo Galilei's Dialogo della Musica Antica e della Moderna -- Musical metaphors in art criticism -- Musical metaphors in art treatises: the codification of emotions in eighteenth-century art theory -- Leonardo and the Paragone -- Poussin and the Modes -- Wagner's Gesamtkunstwerk -- Ragas, mood, and representation -- Artists as musicians and musical connoisseurs: musicians, melomanes, and ideas of music among nineteenth-century artists -- Musical spaces: the politics of space in Renaissance Italy -- Built architecture for music: spaces for chamber music in sixteenth-century Italy -- Urban soundscapes: hearing and seeing Jerusalem -- Music in social and artistic context: women Qin players -- Music in new media -- Pageantry -- Opera -- Ballet: interactions of musical and visual style -- Dance: visual/musical effects in two dance performaces -- Musicals -- Film I: Bollywood-Music and multimedia -- Film II -- Multimedia art: Video art-music -- Music, visual culture, and digital games.
|
520 |
|
|aAs a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: starting points, methodologies, reciprocation, convergence, and the hybrid arts. This reference work speaks to the important questions concerning this burgeoning field of research -what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture (from cover).
|
650 |
0
|
|aArt and music.
|
650 |
0
|
|aMusic in art.
|
650 |
0
|
|aArt in music.
|
650 |
0
|
|aVisual communication.
|
650 |
0
|
|aArts.
|
700 |
1
|
|aShephard, Tim.
|
700 |
1
|
|aLeonard, Anne|q(Anne Rachel)
|