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220505s2015 enkag b 001 0 eng d |
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|z2007011368
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|a9780190273996 (pbk.) :|cNT$1004
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|a0190273992 (pbk.)
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|a0195148886 (hbk.)
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|a9780195148886 (hbk.)
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|aTMUE|beng|cTMUE|dTMUE|eaacr2
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|aML174|b.A85 2009
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|aTMUE|b64|cA0332080|d781.263|eA875|pB|tDDC|r1004|y2015
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|aAtkinson, Charles M.|q(Charles Mercer),|d1941-
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245 |
14
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|aThe critical nexus :|btone-system, mode, and notation in early medieval music /|cCharles M. Atkinson.
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260 |
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|aOxford ;|aNew York :|bOxford University Press,|c2015.
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300 |
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|axiii, 306 p. :|bill., music ;|c24 cm.
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490 |
1
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|aAMS studies in music
|
500 |
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|aOriginally published: 2009.
|
504 |
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|aIncludes bibliographical references (p. 259-291) and indexes.
|
505 |
0
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|aThe heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.
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520 |
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|aPrologue. 1. The Heritage of Antiquity. Part I. The Eighth and Ninth Centuries. 2. The Reception of Ancient Texts in the Carolingian Era. 3. The Heritage of the Church. Part II. The Synthesis of Ancient Greek Theory and Medieval Practice. 4. Hucbald of St. Amand and Regino of Prum. 5. Alia musica. 6. Pseudo-Bernelinus, Pseudo-Odo, and Guido d'Arezzo. Epilogue: Problems and Solutions. Bibliography. Index.
|
650 |
0
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|aMusic theory|xHistory|y500-1400.
|
650 |
0
|
|aMusic theory|xHistory|yTo 500|xInfluence.
|
650 |
7
|
|aMusic theory.|2fast
|
655 |
7
|
|aHistory.|2fast
|
830 |
0
|
|aAMS studies in music.
|