008 |
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071220s2005 xxuag e b 001 0 eng d |
015 |
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|a2005045303
|
020 |
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|a0860789705 ((alk. paper))
|
035 |
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|a13921572
|
040 |
|
|aTMUE|beng|cTMUE|dTMUE
|
050 |
14
|
|aML112|bB76 2005
|
082 |
04
|
|a781.4/3/09031|222
|
100 |
1
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|aBoormanStanley|d1939
|
245 |
10
|
|aStudies in the printing, publishing, and performance of music in the 16th century / |cStanley Boorman
|
260 |
|
|aBurlington, VT : |bAshgate, |c2005
|
300 |
|
|a1 v. (various pagings) : |bill., music ; |c24 cm
|
490 |
1
|
|aVariorum collected studies series
|
504 |
|
|aIncludes bibliographical references and indexes
|
505 |
1
|
|aThe "first" edition of the Odhecaton A--Petrucci's type-setters and the process of stemmatics--A case of work and turn half-sheet imposition in the early sixteenth century--Printed music books of the Italian Renaissance from the point of view of manuscript study--The Salzburg liturgy and single-impression music printing--Early music printing : working for a specialized market--Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century--The music publisher's view of his public's abilities and taste : Venice and Antwerp--Notational spelling and scribal habit--False relations and the cadence--Two aspects of performance practice in the Sistine Chapel of the early sixteenth century
|
650 |
0
|
|aMusic printing|xHistory|y16th century
|
650 |
0
|
|aMusic publishing|xHistory|y16th century
|
650 |
0
|
|aPerformance practice (Music)|xHistory|y16th century
|
830 |
0
|
|aCollected studies
|