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220513r20082007onca b 001 0 eng d |
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|a2008270404
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020 |
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|a9780802096449 :|cNT1150 (pbk.)
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|a0802096441 (pbk.)
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020 |
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|a9780802092977 (hbk.)
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|a0802092977 (hbk.)
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|a(OCoLC)122280814|z(OCoLC)227928693
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040 |
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|aNLC|beng|cNLC|dDLC|dBTCTA|dBAKER|dC#P|dYDXCP|dVVC|dNLGGC|dCDX|dCKK|dVP@|dVRC|dBTN|dHEBIS|dCHVBK|dDEBBG|dOUN|dTMUE|eaacr
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|aPN1994|b.F52 2007
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|aTMUE|b64|cA0332030|pB|d791.4302985|eF646|y2008|tDDC|r1150
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245 |
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|aFluid screens, expanded cinema /|cedited by Janine Marchessault and Susan Lord.
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260 |
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|aToronto :|bUniversity of Toronto Press,|c2008, c2007.
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300 |
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|a361 p. :|bill. ;|c23 cm.
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490 |
1
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|aDigital futures
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504 |
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|aIncludes bibliographical references (p. [327]-340) and index.
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505 |
00
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|tMulti-screens and future cinema: the labyrinth project at Expo 67 /|rJanine Marchessault --|tSounds complicated: what sixties audio experiments can teach us about the new media environments /|rStephen Crocker --|gThe|tnetworked screen: moving images, materiality, and the aesthetics of size /|rHaidee Wasson --|gThe|t'iterative circle': transformation of web narrative in Amika /|rSheila Petty --|tHandcrank that globalism: a digi-dialogue /|rAbigail Child --|tFrom photography to imography: new media as metaphor /|rRon Burnett --|tFeminist digital aesthetics: the everyday and yesterday /|rCaitlin Fisher --|gThe|tsight of sound: The last angel of history /|rRinaldo Walcott --|tHistory and histrionics: vision machine's digital poetics /|rMichael Uwemedimo,|rJoshua Oppenheimer --|tFrom sequence to stream: historiography and media art /|rSusan Lorn --|gThe|tbirth of tragedy in digital aesthetics /|rGlen Willmott --|tArmed vision and the banalization of war: Full Spectrum warrior /|rNick Dyer-Witheford,|rGreig de Peuter --|gThe|tdialectics of Canadian film labour: technology, globalization, nation /|rJohn McCullough --|tScreening the call: cell phones, activism, and the art of connection /|rKirsty Robertson --|tImmigrant semiosis /|rLaura U. Marks --|tPrecepts for digital artwork /|rSean Cubitt --|tAfterward: what we must do /|rGene Youngblood
|
520 |
1
|
|a"This book considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media. Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars explore the way in which digital technology is transforming contemporary visual culture."--BOOK JACKET.
|
650 |
0
|
|aMotion pictures.
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650 |
0
|
|aDigital media.
|
650 |
0
|
|aInteractive multimedia.
|
650 |
0
|
|aTechnology and the arts.
|
700 |
1
|
|aLord, Susan,|d1959-
|
700 |
1
|
|aMarchessault, Janine.
|
830 |
0
|
|aDigital futures.
|