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030409s2002 fr g b 001 0 eng c |
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|a9782840660606 : |cNT589 (pbk.)
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|aPUL|beng|cPUL|dTMUE|eaacr
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|aeng|hfre
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|a709.049|222
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|aTMUE|b41|cA0328919|d709.049|eB776|pB|tDDC|r589|y2002
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100 |
1
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|aBourriaud, Nicolas.
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240 |
10
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|aEsthétique relationnelle.|lEnglish.|f2002.
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245 |
10
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|aRelational aesthetics / |cNicolas Bourriaud ; translated by Simon Pleasance & Fronza Woods with the participation of Mathieu Copeland.
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|a[Dijon] : |bLes Presses du réel, |cc2002.
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300 |
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|a120 p. ; |c21 cm.
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490 |
1
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|aCollection Documents sur l'art
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500 |
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|aTranslated from: Esthétique relationnelle.
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|aIncludes bibliographical references and index.
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0
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|aRelational form. Contemporary artistic practice and its cultural plan ; Artwork as social interstice ; Relational aesthetics and random materialism ; Form and others' gaze -- Art of the 1990s. Participation and transitivity ; Typology ; Connections and meetings ; Convivialities and encounters ; Collaborations and contracts ; Professional relations : clienteles ; How to occupy a gallery -- Space-time exchange factors. Artworks and exchanges ; The subject of the artwork ; Space-time factors in 1990s' art -- Joint presence and availability : the theoretical legacy of Felix Gonzalez-Torres. Homosexuality as a paradigm of cohabitation ; Contemporary forms of the monument ; The criterion of co-existence (works and individuals) ; The aura of artworks has shifted towards their public ; Beauty as a solution? -- Screen relations. Today's art and its technological models ; Art and goods ; The law of relocation ; Technology as an ideological model (from trace to programme) ; The camera and the exhibition ; The exhibition-set ; Extras ; Post VCR art ; Rewind/play/fast forward ; Towards a democratisation of viewpoints? -- Towards a policy of forms. Cohabitations : notes on some possible extensions of a relational aesthetics ; Visual systems ; The image is a moment ; What artists show ; The boundaries of individual subjectivity ; The engineering of intersubjectivity ; An art with no effect? ; The political development of forms ; Rehabilitating experimentation ; Relational aesthetics and constructed situations ; The aesthetic paradigm (Félix Guattari and art) ; Subjectivity pursued and produced ; De-naturalising subjectivity ; Status and operation of subjectivity ; Subjectivization units ; The aesthetic paradigm ; The critique of scientistic paradigm ; Ritournelle, symptom and work ; The work of art as partial object ; For an artistic-ecosophical practice ; The behavioural economy of present-day art.
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520 |
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|a"Where does our current obsession for interactivity stem from? After the consumer society and the communication era, does art still contribute to the emergence of a rational society? Bourriaud attempts to renew our approach toward contemporary art by getting as close as possible to the artists works, and by revealing the principles that structure their thoughts: an aesthetic of the inter-human, of the encounter; of proximity, of resisting social formatting"--Jacket.
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546 |
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|aTranslated to English from original French.
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0
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|aArt, Modern|y20th century|xThemes, motives.
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650 |
0
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|aCommunication in art.
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650 |
0
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|aArt and society.
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650 |
0
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|aAesthetics.
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650 |
0
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|aArt|xPhilosophy.
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655 |
7
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|aAufsatzsammlung.|2swd
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700 |
1
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|aPleasance, Simon.
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700 |
1
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|aWoods, Fronza.
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700 |
1
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|aCopeland, Mathieu.
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830 |
0
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|aCollection Documents sur l'art.
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