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210511s2020 xx a g b 000 0 eng d |
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|a9780578221397 : |cNT962 (pbk.)
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|aTMUE|beng|eaacr
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|a792.82|223
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|aTIANMU|bTIA06|cA0328917|d792.82|eS117|pB|tDDC|r962|y2020
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|aSabo, Linda.
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|aMusical theatre choreography : |breflections on my artistic process for staging musicals / |cLinda Sabo.
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|areflections on my artistic process for staging musicals
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|a[S.l.] : |bFarnham Academy Press, |cc2020.
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|axv, 232 p. : |bcol. ill. ; |c26 cm.
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|aIncludes bibliographical references (p. 217-232).
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|aMusical theatre choreography has indisputably evolved over the years and choreographers develop methods of working and philosophical approaches that should be documented but rarely are. Textual information is limited, and what has been written is generally more practical than theoretical, and is minimal compared to those books written for choreographers of modern and contemporary dance. By pointing out the similarities and dissimilarities between concert dance genres and theatre dance, and by identifying the specialized demands of crafting artistic and script-serving theatre dance and staging, this text differentiates musical theatre choreography as a separate and bona fide art form and suggests that 1) universities recognize it as such by offering training possibilities for future musical theatre choreographers, and 2) established choreographers of musicals begin to write down their own artistic processes to help fill the choreographic toolbox for young choreographers wanting to work in this field.
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|aChoreography.
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|aMusical theater|xProduction and direction.
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