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Owning William Shakespeare : The King's Men and their intellectual property /

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MARC

008

100726s2011 paua b s001 0 eng

001

376194

005		20130812134345.0
010		\|a 2010028881
020		\|a9780812242966 (hbk.)
020		\|a9780812222548 (pbk.) :\|cNT664.00
020		\|a0812242963 (hbk.)
035		\|a00010211
035		\|a(OCoLC)ocn606785119
040		\|aDLC\|cDLC\|dYDX\|dBTCTA\|dYDXCP\|dUBY\|dNGU\|dCDX\|dBWX\|dDLC
043		\|ae-uk-en
050	00	\|aPR3095\|b.M37 2011
082	00	\|a792.9/5/09420931\|221
092		\|a792.95/M339/2011//////E0010211
809		\|pBOOK\|d792.95\|eM339\|y2011
100	1	\|aMarino, James J.
245	10	\|aOwning William Shakespeare :\|bThe King's Men and their intellectual property /\|cJames J. Marino.
260		\|aPhiladelphia :\|bUniversity of Pennsylvania Press,\|cc2011.
300		\|a204 p. :\|bill. ;\|c23 cm.
490	1	\|aMaterial texts
504		\|aIncludes bibliographical references (p. [179]-193) and index.
600	10	\|aShakespeare, William,\|d1564-1616\|xStage history\|yTo 1625.
600	10	\|aShakespeare, William,\|d1564-1616\|xCriticism, Textual.
600	10	\|aShakespeare, William,\|d1564-1616\|xAuthorship.
610	20	\|aKing's Men (Theater company)
610	20	\|aChamberlain's Men (Theater company)
650	0	\|aIntellectual property\|zEngland\|xHistory\|y16th century.
650	0	\|aIntellectual property\|zEngland\|xHistory\|y17th century.
650	0	\|aTransmission of texts\|zEngland\|xHistory\|y16th century.
650	0	\|aTransmission of texts\|zEngland\|xHistory\|y17th century.
650	0	\|aRepertory theater\|zEngland\|zLondon\|xHistory\|y16th century.
650	0	\|aRepertory theater\|zEngland\|zLondon\|xHistory\|y17th century.
650	0	\|aTheatrical companies\|zEngland\|zLondon\|xHistory\|y16th century.
650	0	\|aTheatrical companies\|zEngland\|zLondon\|xHistory\|y17th century.
830	0	\|aMaterial texts.
095		\|aTPEC\|bLB\|cE0010211\|d792.95\|eM339\|pBOOK\|y2011\|n購\|zCIR\|m664\|tDDC

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內容簡介top Owning William Shakespeare 簡介 This book explores actors' systems of intellectual property in early modern England. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other plays, James Marino demonstrates how Shakespeare's company asserted ownership of its plays through intense ongoing revision and through insistent attribution to Shakespeare.

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