008 |
|
131219s2012 it a c 000 0deng d |
020 |
|
|a9788869654008 :|cNT1902(pbk.)
|
020 |
|
|a8869654001 |c(pbk.)
|
035 |
|
|a(OCoLC)839300870
|
040 |
|
|aBTCTA|beng|cSTF|dOCLCO|dOUN|dTMUE|eAACR2
|
050 |
4
|
|aTR654|b.K4977 2012x
|
082 |
04
|
|a779.092
|
092 |
|
|a779.092/W717/2012//////A0296536
|
095 |
|
|aTMUE|b41|cA0296536|pB|d779.092|eW717|y2012|r1902|tDDC
|
245 |
00
|
|aWilliam Klein :|bpaintings, etc. /|cconcept and design, William Klein.
|
260 |
|
|aRoma :|bContrasto,|cc2012.
|
300 |
|
|a103 p. :|bill. (mostly col.) ;|c25 x 35 cm.
|
500 |
|
|aPublished in cooperation with HackelBury Fine Art, London, and Howard Greenberg Gallery, New York.
|
520 |
8
|
|aWilliam Klein is a cult figure in photography and film and, although long noted as a painter, his early work has remained largely unseen for over sixty years. This book presents a selection of extremely rare Klein paintings from the late 1940s and early 1950s. It also includes projects for murals, some of which executed on a monumental scale for the first time, Lettrist works, fashion photographs and Printed Contacts. The show also maps a decisive moment in the artist's development: in 1952. While photographing his painted Turning Panels commissioned by architect Angelo Mangiarotti, Klein captured the blur of objects in movement. The incident set the artist off on a series of experiments in the dark room, in which he developed the blueprint of his photographic abstraction. Giving a new perspective on his entire career, this book clearly portrays the foundations of Klein's unique visual language as his trajectory is traced through painting, architecture, photography, books, and film.
|
600 |
10
|
|aKlein, William|vCatalogs.
|
650 |
0
|
|aPhotography, Artistic|vCatalogs.
|
700 |
1
|
|aKlein, William.|tWorks.|kSelections.
|
710 |
2
|
|aHackelBury Fine Art (Gallery)
|
710 |
2
|
|aHoward Greenberg Gallery (New York, N.Y.)
|