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091217s2010 gw a b 001 0deng |
010 |
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|a 2009943610
|
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|aGBB028805|2bnb
|
020 |
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|a9783791344669 |c(hbk.)
|
020 |
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|a3791344668 |c(hbk.)
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035 |
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|a(OCoLC)ocn520772473
|
040 |
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|aUKM|beng|cUKM|dC#P|dYDXCP|dBWX|dHEBIS|dCDX|dOHX|dEXW|dLML|dMOF|dDLC|dTMUE|eAACR2
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|alccopycat
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|aN6537.C54|bF56 2010
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04
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|a759.13|222
|
092 |
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|a759.13/F492/2010//////A0281240
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|aTMUE|b41|cA0281240|pB|d759.13|eF492|y2010|r3036|tDDC
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100 |
1
|
|aFinch, Christopher.
|
245 |
10
|
|aChuck Close :|bwork /|cChristopher Finch.
|
246 |
30
|
|aWork
|
250 |
|
|aRev. ed.
|
260 |
|
|aMunich ;|aNew York :|bPrestel,|cc2010.
|
300 |
|
|a352 p. :|bchiefly ill. (chiefly col.) ;|c35 cm.
|
500 |
|
|aEdition statement from jacket.
|
504 |
|
|aIncludes bibliographical references (p. 340-348) and index.
|
505 |
0
|
|aAn unsentimental education -- Hell's hundred acres -- Experiments in life and art -- New directions -- Prismatic grids -- The event -- Regeneration -- Process and pragmatism -- Pitiless beauty -- Conclusions.
|
600 |
10
|
|aClose, Chuck,|d1940-|xCriticism and interpretation.
|
650 |
0
|
|aHuman figure in art.
|
650 |
0
|
|aFace in art.
|
700 |
1
|
|aClose, Chuck,|d1940-
|