008 |
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010803s2002 xxka b 001 0 eng d |
015 |
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|a2001043313
|
020 |
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|a0521807387
|
040 |
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|aTMUE|beng|cTMUE|dTMUE
|
050 |
14
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|aML3845|bM87 2002
|
082 |
04
|
|a784.18/93|221
|
100 |
1
|
|aMorrisChristopher|d1966
|
245 |
10
|
|aReading opera between the lines : |borchestral interludes and cultural meaning from Wagner to Berg / |cChristopher Morris
|
260 |
|
|aCambridge ; |aNew York : |bCambridge University Press, |c2002
|
300 |
|
|axi, 219 p : |bill ; |c24 cm
|
490 |
1
|
|aNew perspectives in music history and criticism
|
504 |
|
|aIncludes bibliographical references (p. 208-215) and index
|
650 |
0
|
|aMusic|xPhilosophy and aesthetics
|
650 |
0
|
|aEntr'acte music|xHistory and criticism
|
650 |
0
|
|aOpera
|
830 |
0
|
|aNew perspectives in music history and criticism
|