505 |
1
|
|aPostcolonial studies and Ireland / C.L. Innes--Crossing the hyphen of history / Willy Maley--The politics of hybridity / Gerry Smyth--Inside-out, literature, cultural identity, and Irish migration to England / Aidan Arrowsmith--States of dislocation, William Trevor's Felicia's journey and Maurice Leitch's Gilchrist / Liam Harte and Lance Pettitt--It's a free country / Geraldine Stoneham--I came all the way from Cuba so I could speak like this? / Nara Arapjo--Border anxieties, race and psychoanalysis / David Marriott--Nationalism's brandings, women's bodies and narratives of the partition / Sujala Singh--Internalized exiles, three Bolivian writers / Keith Richards--Writing other lives, nNtive American (post)coloniality and collaborative (auto)biography / Susan Forsyth--"The limits of goodwill," the values and dangers of revisionism in Keneally's "aboriginal" novels / Denise Vernon--The trickster at the border, cross-cultural dialogues in the Caribbean / Patricia Murray--Between speech and writing, "la nouvelle litt`rature antillaise?" / Sam Haigh--Hybrid texts, family, state, and empire in a poem by black Cuban poet Excilia Saldaia / Catherine Davies--Beyond Manicheism, Derek Walcott's Henri Christophe and Dream on Monkey Mountain / John Thieme--"Canvas of blood," Okigbo's African modernism / David Richards--Closing statement, apprenticeship to the furies / Wilson Harris
|